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      • 3 x Farbe
      • Nick Zinner | Crowds
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      • The Space Between
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      • Peter Doherty | Felt Better Alive
      • Andrea Damp | Call of the Void
      • Jose Girl – MASCH – Armando Mariño – Juan Miguel Pozo
      • Carsten Schulz | LOCKDOWNBEATS
      • Dreams of the Seen and Unseen
    • Ausstellungen 2024
      • MASCH | The Past is Now
      • Armando Mariño | Salon
      • Jose Girl & Nick Zinner
      • 20 Jahre jbg Teil 1 Seasoned Summer | Maxwell Dunlop, MASCH, Petra Rintelen, Martin Stommel
      • 20 Jahre jbg Teil 2 | MEMENTO ABSTRACT | ANDREA DAMP | FLORIAN FAUSCH  | BEATE HÖING | HANNAH JONES
      • Salon Spezial | Till Franzen
      • Winter Melange
    • Ausstellungen 2023
      • Arny Schmit | I’ll be back soon
      • Jose Girl | Tenebris Somniorum
      • Andrea Damp | Menagerie
      • Ghosts of Color | Florian Fausch, Hannah Jones, Lisa Kränzler, Juan Miguel Pozo, Guido Schulz
      • Maxwell Dunlop | Paradox Reality
      • Lisa Kränzler | ZUGUKA
    • Ausstellungen 2022
      • Maxwell Dunlop | „Echo“
      • Petra Rintelen im Salon
      • Beate Höing und Florian Fausch | „It’s a Match“
      • Martin Stommel | „On Deliverance“
      • Guido Schulz „Lärm der Zeit“ II im Salon
      • Das Wunderland fehlte mir
      • Peter Doherty | Contain yourself (seriously)
    • Ausstellungen 2021
      • Maxwell Dunlop  | „Echo“
      • Petra Rintelen im Salon
      • Rogelio Manzo | „Corporeal and Incorporeal Structures“
      • Inna Artemova und Juan Miguel Pozo
      • Orion Shima und Martin Stommel | „Moonlight at Noon“
      • High on Paper
        • High on Paper | Editionen
    • Ausstellungen 2020
      • Armin Völckers und Maxwell Dunlop
      • „Dodo Dialogues“
      • „A Midsummer Night’s Dream“
      • „Art Is a Remedy“
      • Beate Höing – „meet me there“
    • Ausstellungen 2019
      • Anna Borowy – „Ich sehe was, das du nicht siehst“
      • Sebastian Mögelin – „Erzkrackdusel“
      • Inna Artemova – „Future Structures“
      • Dominik Butzmann im Studio Wiehre
      • Martin Stommel – „Arkadia“
      • Juan Miguel Pozo – „Die Zukunft war ein Ort“
      • Arny Schmit – „Der Geschmack von Schnee“
      • Dominik Butzmann – „Haltung“
    • Ausstellungen 2018
      • „Blende“
      • Magdalena Possert – „Trotz dem Leben“
      • „Du, Venus und Ich“
      • Sebastian Mögelin – „Morgentau mit Schwafelbrot“
      • „Halbdunkel“
      • „Strange Matter“
      • Inna Artemova – „Reinventing Utopia“
      • Anna Borowy – „Darkest Birds“
    • Ausstellungen 2017
      • Armando Marino – Aquarelle
      • Kathrin Günter – „The Empty House“
      • Armin Völckers – „Silent Green“
      • „Fad and Fury“
    • Ausstellungen 2016
      • Anna Borowy – „Let’s Get Lost“
      • „The Killing Moon“
      • Inna Artemova – „Hide & Seek“
      • Anya Janssen – „Retroactive“
      • Florian Fausch – „Shift“
      • Kathrin Günter und Tanja Selzer – „Séance“
    • Archiv
      • Ausstellungen 2015
        • Inna Artemova – „Past Forward“
        • Anna Borowy – „Fancy Drugs“
        • „Lights and Shadows“
        • Anya Janssen – „My Animal Friend“
      • Ausstellungen 2014
        • „Little Wonderland“
        • Donata Benker, Lori Field und Iva Vacheva
        • GODsDOGs und Tanja Selzer
        • Anna Borowy – „Vergissmeinnicht“
        • Inna Artemova – „Pooltime“
        • Anna-Maria Sommer und Dario Puggioni
      • Ausstellungen 2013
        • Anna Borowy, Iva Vacheva und Agata Agatowska
        • Tanja Selzer – „Süsse Lügen“
        • Kristian Evju, Lori Field, Margarete Kreuzer
        • Florian Fausch – „Sollbruchstelle“
        • Donata Benker – „Riverso“
      • Ausstellungen 2012
      • Ausstellungen 2011
      • Ausstellungen 2010
      • Ausstellungen 2009
      • Ausstellungen 2008
      • Ausstellungen 2007 – 2005
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The Reinvention Of Utopia – Inna Artemova

Utopia IX 2018 Öl auf Leinwand 190 x 140 cm Utopia X 2018 Öl auf Leinwand 195 x 190 cm Utopia 01, 2017, Öl auf Leinwand, 240 x 160 cm Utopia 02, 2017, Öl auf Leinwand, 185 x 190 cm Utopia 03, 110 × 115 cm, Öl auf Leinwand, 2017 Utopia 04, 2017, Öl auf Leinwand, 240 x 180 cm Utopia 05, 2017, Öl auf Leinwand, 155 x 160 cm Utopia 06 , 2017, Öl auf Leinwand, 195 x 200 cm Utopia 07, 2017, Öl auf Leinwand, 110 x 115 cm Utopia 08 , 2017, Öl auf Leinwand, 195 x 200 cm Utopia 09, 140 x 130, Öl auf Leinwand , 2017

janinebeangallery, Torstraße 154, 10115 Berlin

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Fone: +49 30 47056174

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info@janinebeangallery.com

Die janinebeangallery ist Mitglied im Bundesverband Deutscher Galerien und Kunsthändler e.V.

 

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Every room remembers something. Even those that ne Every room remembers something. Even those that never existed.

Maxwell Dunlop’s interiors exist somewhere between memory and imagination. Grand halls, silent rooms and fading light evoke places that feel strangely familiar, yet they cannot be found anywhere.

Constructed from fragments of art history, human history, memory and direct observation, these paintings are not depictions of existing spaces. Instead, they invite us into worlds where time becomes fluid and reality quietly dissolves.

The absence of people is never an absence of presence. Every doorway, every reflection and every beam of light suggests that something has happened, or perhaps is still about to happen. Rather than telling a story, Dunlop leaves space for the viewer to enter one.

As Maxwell Dunlop wrote:

“They are real and imagined; they exist in the past and the present.”

His paintings remind us that memory is never static. Like painting itself, it is layered, reconstructed and continually reimagined.

Maxwell Dunlop

Fragment, 2022
Oil on canvas
70 × 50 cm

Reflections, 2021
Oil on canvas
80 × 100 cm

The Space Between
through August 15, 2026

Featuring works by Maxwell Dunlop, Marie Louise Elshout, James Johnston, MASCH and Armando Mariño.

janinebeangallery
Torstraße 154
10115 Berlin

#maxwelldunlop #maxdunlop #janinebeangallery #berlin #contemporaryart
For centuries, the interior has been one of the mo For centuries, the interior has been one of the most enduring subjects in the history of painting.

From Johannes Vermeer and the Dutch Masters of the seventeenth century to Pierre Bonnard, Henri Matisse and contemporary artists, interior scenes have always been about more than architecture or furnishings. They are spaces of memory, identity and human experience.

In Interieur I, Armando Mariño draws on this rich artistic tradition while transforming it into a distinctly contemporary visual language.

Mariño has developed a painterly language that is both deeply rooted in art history and unmistakably his own. His interiors are not depictions of specific places. They emerge from memory, imagination and cultural experience. Colour, light and perspective merge into compositions that feel both familiar and enigmatic.

History and philosophy lie at the heart of Armando Mariño’s artistic practice. From them, he develops a painterly language that brings past and present into dialogue. Interieur I does not offer definitive answers. Instead, the painting opens a visual space where memory, perception and imagination come into dialogue.

Born in Santiago de Cuba and now living and working in the US state of New York, Armando Mariño has developed a visual language that bridges different cultural traditions. His paintings unite the legacy of European art history with the experience of a transnational biography, resulting in a distinctive contemporary position.

Armando Mariño
Interieur I, 2019
Oil on canvas
180 × 170 cm

The Space Between
until August 15, 2026

Featuring works by Maxwell Dunlop, Marie Louise Elshout, James Johnston, MASCH and Armando Mariño.

janinebeangallery
Torstraße 154
10115 Berlin

@armando_marino_artist #armandomarino #cubanart #latinamericanart
CURATOR’S VOICE From Hieronymus Bosch and Pieter CURATOR’S VOICE

From Hieronymus Bosch and Pieter Bruegel the Elder to Francisco Goya, Odilon Redon and the Surrealists, hybrid figures have long occupied a distinctive place in the history of art.

They are rarely creatures of fantasy alone. Instead, they become metaphors for transformation, ambiguity and the fragile boundary between instinct and reason, civilisation and nature.

Marie Louise Elshout continues this tradition in a language that is unmistakably her own.

Working with hundreds of finely drawn pencil lines, charcoal and transparent layers of oil paint, she creates figures that seem to emerge rather than simply appear. Her paintings draw on folklore, ritual and the subconscious, while remaining deeply rooted in contemporary questions about identity, ecology and what it means to be human.

As Elshout herself says:

“They are about transformation; you never know if you’re watching a human being dressed up with a mask or a primate wearing a dress. It’s the ambivalence that makes it interesting.”

painting: Marie Louise Elshout
Hybrid #11 (Slow Lorices)
Pencil, charcoal and oil on canvas
90 × 90 cm
2024

Currently on view in „The Space Between“
janinebeangallery, Berlin @marielouiseelshoutart #contemporaryfineart #janinebeangallery #berlin #rotterdam
Es gibt Künstler, die ein Leben lang nach neuen Bi Es gibt Künstler, die ein Leben lang nach neuen Bildern suchen.

MASCH gehört zu ihnen.

Seit mehr als fünf Jahrzehnten lebt und arbeitet er als Künstler und Musiker. Sein Weg führte ihn durch Malerei, Film und Musik. Er hat Erfolge erlebt, Rückschläge erfahren und dabei nie aufgehört, nach neuen Ausdrucksformen zu suchen.

Was mich an ihm besonders beeindruckt, ist nicht nur sein Werk.

Es ist seine Haltung.

Die Bereitschaft, immer weiterzugehen. Sich selbst treu zu bleiben und dennoch offen für Neues zu sein. Nicht stehen zu bleiben, sondern die eigenen Möglichkeiten immer wieder neu auszuloten.

Seine aktuellen Zeichnungen zeigen genau das: einen Künstler, der auch nach einem halben Jahrhundert künstlerischer Arbeit noch experimentiert, entdeckt und sich weiterentwickelt, ohne seine eigene Handschrift zu verlieren.

Solche Lebensgeschichten erzählen nicht nur von Kunst.

Sie erzählen von Beharrlichkeit, Neugier und der Überzeugung, dass künstlerische Arbeit niemals abgeschlossen ist.

Wir finden, genau diese Geschichten verdienen es, erzählt zu werden.

The Space Between
Bis 15. August 2026

Mit Arbeiten von MASCH, Maxwell Dunlop, Marie Louise Elshout, James Johnston und Armando Mariño.

janinebeangallery
Torstraße 154
10115 Berlin

The Space Between
Through August 15, 2026
janinebeangallery, Berlin

#janinebeangallery #berlin #contemporaryart @masch.kunstleben
Last night we celebrated the opening of The Space Last night we celebrated the opening of The Space Between together with our guests.

Thank you to everyone who joined us and shared this special evening. Five distinct artistic voices have come together to create a dialogue between painting, drawing, memory and imagination.

We would like to thank the participating artists Maxwell Dunlop, Marie Louise Elshout, James Johnston, Armando Mariño and MASCH for their remarkable works and for placing their trust in us.

The Space Between
July 3 – August 15, 2026
open Tue-Sat 12-18
janinebeangallery
Torstraße 154
Berlin #janinebeangallery #art 

We look forward to welcoming you.

Thank you for 📸📸📸
⬇️
📸 1-3 Karl Hans Haschke
📸 5-7 @guidoschulz712
Installation has begun. One by one, the works are Installation has begun.
One by one, the works are finding their place. Individual artistic positions gradually come together, and a shared dialogue begins to emerge.

Yesterday we installed works by MASCH, Marie Louise Elshout and James Johnston. Over the next few days, The Space Between will slowly take shape before opening to the public on Friday.

We look forward to welcoming you to the opening.

The Space Between

Opening Reception
Friday, July 3, 2026
6–8 pm

janinebeangallery
Torstraße 154
Berlin

Featuring works by Maxwell Dunlop, Marie Louise Elshout, James Johnston, Armando Mariño and MASCH. 

Image one: Marie Louise Elshout | oil on canvas 

#berlin #janinebeangallery #exhibition

MASCH | works on paper

James Johnston | acrylic on canvas
Music and painting have long been intertwined. Few Music and painting have long been intertwined. Few artists embody this relationship as naturally as James Johnston.

Known to many through Gallon Drunk and his collaborations with Nick Cave & The Bad Seeds and PJ Harvey, Johnston has also established a remarkable body of work as a painter.

His expressive paintings, shaped by myth, memory and solitary figures, possess an immediacy that seems to echo the energy of music itself.

Nick Cave once described these works as “paintings full of mythic power.”

We are pleased to present works by James Johnston in our upcoming exhibition The Space Between.

The Space Between
July 3 – August 15, 2026
janinebeangallery, Berlin

Featuring works by Maxwell Dunlop, Marie Louise Elshout, James Johnston, Armando Mariño and MASCH. @jamesfjohnston 

#jamesfjohnston #britishartist #janinebeangallery #berlin
Muss ein Künstler leiden? Darüber lässt sich strei Muss ein Künstler leiden?
Darüber lässt sich streiten.

Sicher ist nur: Der eigene Anspruch kann gelegentlich anstrengender sein als die Außenwelt.

Max Giermann über Perfektionismus und seine Tücken.

-Figuring Out-
noch bis 25. Juni in der janinebeangallery, Berlin.
Öffnungszeiten: Di-SA 12-18 @giermax @giermax #maxgiermann #berlin #janinebeangallery #künstler
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